![dkdk.jpg](https://www.nadin.ws/wp-content/uploads/2007/03/dkdk.thumbnail.jpg)
(The Art of Art. Meta-aesthetics). Stuttgart: Belser Verlag, 1990. xxxvii + 274 pp.
Based on research in aesthetics, art history and theory, semiotics, and logic, the book discusses the self-referential quality of artworks. In order to understand if the verbal …
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![mind.gif](https://www.nadin.ws/wp-content/uploads/2007/03/mind.thumbnail.gif)
From the series Milestones in Thought and Discovery (English-German parallel text). Stuttgart/Zurich: Belser Presse, 1991. 176 pp.
Mihai Nadin’s mind theory is the first to reflect two aspects: minds define themselves only in relation to other minds; it is the …
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(with Richard Zakia).
New York: Consultant Press, 1994. 160 pp. + 55 plates…
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![alias.gif](https://www.nadin.ws/wp-content/uploads/2007/03/alias.thumbnail.gif)
(with S. Lehmann, T. Overberg). Wuppertal: BUGH, 1996. 450 pp. + illustrations, 3rd edition, 1998. 510 pp + illustrations.
This is the only training manual that is based on actual lab work with students and other professionals who learned how …
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![civilisation.gif](https://www.nadin.ws/wp-content/uploads/2007/03/civilisation.gif)
Dresden: Dresden University Press, 1997. 881 pp.
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![creating_effective.gif](https://www.nadin.ws/wp-content/uploads/2007/03/creating_effective.thumbnail.gif)
(with Richard Zakia). New York: Consultant Press, 1994. 160 pp. + 55 plates.
Semiotics is applied to developing visual statements in advertising photography, including digital photography. Such concepts as symbol, icon, index, semiotic operations (insertion, substitution, negation), the semiotic matrix,…
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